Southern Autumn Butternut Squash Soup

Funny thing - it only just began to feel at all like fall, here in northern Mississippi. Until a couple weeks ago, it was just Summer 2.0 - still some heat and humidity, but not as much heat. Springtime weather.

Two weeks ago, I was recovering from a long week and declared, on the way home from church, that I absolutely was not cooking for the rest of the day. But then...the rain and drizzle got to me, and all I could think about was butternut squash soup and chocolate chip cookies. So we stopped at the grocery store on the way home from church, and I zipped through the store for butter and brown sugar (for the cookies) and a squash and apples for the soup. In the end, I wound up spending the afternoon and early evening in the kitchen - but we had good food to enjoy because of it!

Pumpkin Scones with Chai Glaze for Fall

Who's ready for fall? After a long - though admittedly mild, by southern standards - Memphis summer, I'm ready. And for about 48 hours, it felt like fall...and then it was back to highs in the 90's. So clearly, the solution is to make my own autumn, and that means homemade pumpkin scones.

He Said She Said: Finer Points of How to Write Dialogue

At least my life is following the script - true to form, now that I'm done with the main business of moving (though in the upcoming days we need to pare down our belongings yet again, and put enough in storage so that what we're taking to Memphis actually fits in our car), I'm sick.

Sick enough with a potpourri of ailments that, while none of them are all that bad individually, the combination provides a potent cocktail of misery that's had me in bed the last few days.

It's just as well, because I hardly managed 10,000 words during last year's NaNoWriMo, and between the move and the illness...well...I'm just glad I'm not under deadline at the moment. Being sick while under deadline is the pits.

So rather than talk about being sick, I thought I'd write about writing dialogue.

I love dialogue. It's one of the parts of writing that's the easiest for me, that's the most fun, the most gratifying. Here are some things I've found to be true and helpful about writing dialogue:

1.) Think about how and where you're staging the conversation. Consider the photo above (yes, it is from Gilmore Girls. Yes, I do think you should watch Gilmore Girls if you want to learn about dialogue. Thanks for asking) - Luke, bless his heart, is going to teach Lorelei how to fish before her date with another man (incidentally, her date is Billy Burke, the future father of Bella Swan). You can watch the scene here.

That's the basic scenario. It's fantastic because you've got all sorts of things to work with - wading pools, strange clothes, fishing equipment. Giving your characters things to do and interact with will make your action beats and dialogue tags a lot easier. The fact of the matter is that when we talk, we don't tend to stand still and speak. Rather, we fidget. We interact with our space.

2.) Dialogue written in an active sequence (practice fishing in a wading pool) will often create more momentum than dialogue written in a passive sequence (sitting at a coffee shop). If you're trying to get your characters to move, make them talk and walk. If they need to sit and figure things out, let them sit. Just sit them somewhere interesting. (There's that episode of House in Season Four when House tells the TV crew that they talk while walking, it gives the illusion of the story moving forward... :-)

3.) What's not being said is just as important as what is being said. Consider what your characters want, and how they express it verbally. Consider what they're afraid of, and how that shades what they say. Be aware of subtext. In the fishing scene, there's a lot of silly with the fishing equipment before Luke gets down to business and asks enough questions to find out why exactly Lorelei's going fishing, though he's already got an idea. Notice how Lorelei hedges and Luke keeps probing, and when he finds out, things get quieter. When Lorelei says "You don't want to hear about my personal life," Luke stays quiet for a while, before asking "So this will be your first date or second date?"

He answers indirectly. He doesn't say "Why, yes, I do want to hear about your personal life," his evasion shows that he wants to know, but he doesn't want to be obvious about it. That he's hurt that she doesn't think he'd be interested. But he also wants to stay in the picture - he shows that by offering his pole and tackle box - which is a whole lot more interesting than Luke saying "Hey, when you're done with Charlie Swan, do you want to go out?"

4.) Dialogue tags and action beats. Dialogue tags are the "He said" bits that we stick around the dialogue so we know who's talking.

Now, it's okay to use certain amounts of "he said, she said" for tagging purposes. Readers will notice them less than if you try to get creative and use "he articulated" or "she uttered." However, you can also use action beats instead of tags.

Consider:

"I don't know why, but I like the other one better," she said.

"I don't know why, but I like the other one better," she said, wrinkling her nose.

The action beat attached to the tag is pretty straightforward, but gives a bit more detail visually.

"I don't know why," she tilted her head to the side. "But I like the other one better."

Throwing the beat into the middle puts a longer pause in the the center than you'd get from just a comma. This helps if you want to give your characters time to think and have it show up on the page. Depending on how you use the beats, you can mix up your pacing quite easily.

That's it for now...thinking about taking a pre-dinner nap. Hoping tomorrow is the magic day that I'll feel well enough to leave the house...also hoping this blog is coherent. I trust you to tell me if it's not.

Wool Weather and Kindle Reading

So. It's October. And it's crazy cold in the mornings. I like this post by Stephanie Pearl McPhee, The Yarn Harlot, about fall and the waiting game before turning on the heat, and the things you do before you get there.

I find, for cold mornings, that running laundry and the dishwasher will heat our little apartment just as effectively as turning on the heater, if not more so. Tea is also good. And socks (as much as I dislike them). And knitting (it's like a lap blanket that turns into a sweater). And wool.

There's something about my brain that, once the temp drops below, say, 45 degrees, all I want to wear is wool. Wool wool wool. Wool and mohair. And cashmere. My subconsciousness doesn't mess about with sweater weather; it's straight and to the point. Since I have several cute tops I've picked up over the summer months that I'd like to continue wearing, I took a little trip to Loft. Not only are there reasonably priced wool-blend cardigans that are a.) long but b.) femininely fitted (I don't do boxy), but they're on sale when you by two.

I was very good. I didn't buy a scarf. I might when they go on sale, though.

Moving on. Simply Sara is now available here on Kindle! You can read about Sara's adventures in technicolor, fashion, and confusing managers from your Kindle or smart phone.

In further news, we're in the market for a new car. A new to us car, at least. Our current car, Sally, bless her little 2-door heart is at a point where she needs new wheels, tires, brakes, paint, a proper alignment...it is not a short list.

Also, since the "incident of the mouse," our affection for her has waned somewhat. I apologize for not bringing up said incident earlier. It went like this:

1.) One sunny summer morning, I smell a smell. This is not a good smell. This is a "someone stuck cat food into our air vents" smell.

2.) I remember that there has been a thunking sound when we turn the A/C fan on.

3.) I also consider that we live in the middle of a wetland.

4.) I conclude that, in all likelihood, something small and rodenty has crawled into our car and died. Which, depending on how you look at it, could be a romantic way to perish.

For a mouse.

(That was for all the Anne fans out there. You know who you are)

5.) The nice man at the auto fix-it shop took out the mouse. I say nice man because really, he was very sweet, and that's a job I really, really wouldn't want. Ick.

6.) I filled the car with dryer sheets to cover the residual eau de dead mouse smell. The dryer sheets turned out to be almost worse.

All that to say...we're car shopping. And my husband, being an engineering genius (I'm the wife, I get to brag) is spending an increased amount of time looking at cars. He has been tasked to come up with a spreadsheet of the cars of interest, their makes, models, years, mileage, price, etc.

I feel this is very efficient. I also feel that this is a side-effect of being an engineer's wife.

The sweater knitting is going well. I've ripped out the sleeves and yoke a few times, and I need to finish the second sleeve start and begin again. But it's l-o-v-e-l-y, so it's worth it :-)

How about you? How long do you wait to turn on the heat? Any little heating tips in the meantime?

Sara in the Fall

I'm tired. Not talking run of the mill lethargy, but honest to goodness near narcolepsy. But there's big news around here, so I'm going to push through.

If parts of this don't make sense, you've been warned.

I found out last night that the release date for Simply Sara has been shifted from Jan 1, 2011 to September of this year. Which is great, because it means that a few people might remember Plain Jayne when Simply Sara comes out. The trickiness lies in the fact that:

1. Writing Sara has been like typing through molasses. Thick, unsulfered molasses. That's been in the fridge, cold, for some unknown reason (I warned you, I'm tired). Mind you, it's a good book, and those who read and critique the early stuff (who are not the the sort to spare deserved criticism) have thus far agreed, but it has no intention of entering the world at anything resembling speed. So the fact that

2. I'll probably be eyeballing a cover for Sara sometime next week; dealing with early production and likely working on a synopsis so this puppy can go into a retailer catalog while figuring out how to market both books at the same time is

3. Just a bit overwhelming.

4. But everyone needs motivation. And this is the literary version of an extraordinarily sharp object poking in your back.

Did I mention that this release time is really great? Because it really is. One of the (many) reasons is that there's a fair amount of Christmas content in the first third - since SS picks up right after PJ, and that's mid-November, I think. Pretty sure. I'll check later. Anyway, as a reader, I think I'd enjoy reading about Christmas before Christmas, rather than after, when the tree is dried up and the lights need to come down. Before=magic. After=I don't know what. I just know that it was a lot to be writing Christmas scenes after Christmas, because I was really ready for all of the holidays to be over!

Oh. And a fall release means it's so totally available for holiday shoppers. Yay!!!

So, the lesson here is that writers who write for publication truly have at least two jobs. Not talking about what all they do to pay the bills or raise children or clean the house, but the actual process of writing for publication.

The secret is it's not just writing. It's assisting as much as possible with the production process, with marketing, and doing the editing so the book that winds up on shelves (or online retailer's warehouses) is the best possible book. There's a lot of non-writing that goes into this, but it's important. You don't get to sit in a hole and write, not if you want that lovely warehouse space.

In the end, it's a good thing. Because all of the production legwork means you get a lot more exercise.

And you know what exercise means?

That's right. You get to rationalize the cupcake.

P.S. I'm sure there are all sorts of typos in this blog. Don't worry. I'm sure my mom will catch them.